Wednesday, September 18, 2013

Framed in Grids


The American lecturer and the author of the book –holy land: A Suburban Memoir, D. J. Waldie, was born in 1948. The Story in holy land revolves around the city of Lakewood in California. Lakewood was recognized as a city in 1954. The Author explains how the city was built and which companies were involved in its development. The book consists of 316 short sections. Some of the sections are not longer than a few words structured on a sentence. Each section describes an event at a certain time regardless of the focus point of the previous and the past sections. Starting reading the text does not give us a clear and strong understanding of the context of the book, however, reading the book through make the readers to find more connections between each entrees. A few pictures in the book further explain the life and timeline of the Lakewood in 1950’s. Pictures also follow the same pattern as the other entrees; no direct connection between the nearby paragraphs.
The story has been told often in first person and sometimes in third person. The author tried to minimize his distance from the society he writes the book for when he starts the introduction by writing: “I live where a majority of Americans live: a tract house on a block of other tract houses in a neighborhood of even more” (V). The place which the author lives in was bought by his parents in 1946. The author often talks about grids. The grids are the urban designing patterns used to determine the blocks limits in a new city. Waldie thinks the grids as a start for a new life in a new field. “The grid is the plan above the earth. It is a compass of possibilities” (4).
The author often talks about the people were involved in the construction, architects, as well as real estate agents. He also describes his neighbors in different years of his life in the Lakewood.
The text is almost empty of direct expression of the emotions. It is a documentary of the historical and social development of a new born city. However in some parts we can understand the emotion behind the documentary. For instance, he talks about his family without expressing how he feels about them.  “Both my parents died before they were seventy, as did my mother’s sister and my uncles Jack, Frank, and Ken. I am forty-six. Given odds, I am two-thirds through my life” (115).
Waldie also describes the religious views of himself and also another people he talks about in his book and doing so along with talking about death of the people in a regular order, he applies a religious theme to the story.
It is undeniable that holy land is unlike any other memoir.  It is written differently and at the first glance, it could be the most confusing memoir the reader has ever read. However, it looks like a wall with random colored bricks. Although each brick is visually different, they still part of a wall and this is the connection between them.









Work Cited
Waldie, D. J. “holy land.” A Suburban Memoir. 11. Ed
            New York: W. W. Norton & Company, Inc, 2005. Print.







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